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The conflict between the will to deny horrible events and the will to
proclaim them aloud is the central dialectic of psychological trauma.

- Judith Herman -






THE ARRIVAL



The angel lay with her cheek to the ground, struggling to catch her breath. As if in a dream, people moved through the landscape that surrounded her. They walked around her, stepped over her, their voices and movement hammering like stones against her consciousness. The toe of a boot clipped her hip. Someone called her a whore. She closed her eyes against their assaults. Night fell. The streets drew into themselves, hush with the dimness of solitude. The angel opened her eyes, pushed her body away from the pull of gravity. She reached out, clawed for the architecture of substance, and pulled herself to her feet. Leaning against an open doorway for support she scanned the avenue. A tree-lined park was across the street. The wind stirred the leaves into voices that whispered her name. She veered toward them, staggering as if drunk in the darkness.

She knew what she had to do.




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I was bruised and battered
I couldn't tell what I felt
I was unrecognizable
to myself
saw my reflection
in a window and didn't
know my own face
oh brother, are you gonna
leave me wasting away
on the streets of Philadelphia?

I walked the avenue 'til my legs felt like stone
I heard voices of friends
vanished and gone
at night I could hear
the blood in my veins
just as black and
whispering as the rain
on the streets of Philadelphia

ain't no angel gonna greet me
it's just you and I, my Friend
and my clothes don't fit me no more, I walked . . .
a thousand miles
just to slip this skin

night has fallen and
I'm lyin' awake
I can feel my self
fading away
so receive me brother with
your faithless kiss
or will we leave
each other alone like this
on the streets of Philadelphia?

Bruce Springstein